Skitser af tiger og kapitæl by Niels Larsen Stevns

Skitser af tiger og kapitæl 1900 - 1905

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drawing, pencil

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portrait

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drawing

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animal

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figuration

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pencil

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academic-art

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realism

Dimensions: 204 mm (height) x 260 mm (width) x 13 mm (depth) (monteringsmaal), 204 mm (height) x 260 mm (width) (billedmaal)

Editor: This is a page of sketches by Niels Larsen Stevns, entitled "Skitser af tiger og kapitæl", dating from around 1900-1905. It's rendered in pencil, and the quick, light strokes give it a sense of immediacy, like capturing fleeting impressions. I'm especially intrigued by the juxtaposition of the tiger sketches with the architectural element; it seems an odd combination at first glance. What do you make of it? Curator: An odd combination perhaps, but one ripe with symbolic potential! Consider the tiger: for millennia it has embodied strength, ferocity, even royalty across various cultures. These are not simply animal studies; they tap into a well of cultural associations, of power and the sublime. Then consider the capital; a vestige of classical architecture, suggestive of order, civilization, and enduring structures. Editor: So you’re saying it's more than just the artist practicing? Curator: Precisely. Juxtaposing these images invites a dialogue. Think of the enduring presence of both animal motifs and architectural forms throughout history, from ancient frescoes to modern advertising. Stevns, consciously or unconsciously, seems to be exploring the continuity of powerful symbols across different realms. Does the architectural detail remind you of any particular tradition or cultural context? Editor: I see it a bit differently now. The tiger embodies wild, untamed nature, and the capital stands for human structure, creating tension. Maybe it's about the taming or containing of raw power? Curator: An astute observation! Consider that "taming" not only in a literal sense but also psychologically; how societies, and even individuals, channel and control their own 'tigerish' impulses. Art itself becomes a way of processing, representing, and ultimately managing such primal energies. Editor: That gives me a lot to think about - seeing these sketches not just as studies, but as a visual representation of cultural and psychological forces. Curator: Indeed. It’s a fascinating glimpse into how visual symbols maintain relevance and resonance across time, echoing in our collective memory.

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