Wapen van Rooms-Duits keizerin Maria Theresia by Pieter Tanjé

Wapen van Rooms-Duits keizerin Maria Theresia 1716 - 1761

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engraving

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portrait

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allegory

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baroque

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history-painting

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engraving

Dimensions: height 101 mm, width 167 mm

Copyright: Rijks Museum: Open Domain

Editor: This engraving, "Wapen van Rooms-Duits keizerin Maria Theresia," created between 1716 and 1761 by Pieter Tanjé, feels overwhelmingly… ceremonial, doesn’t it? All these figures and symbols surrounding Maria Theresa’s coat of arms. What do you make of this? Curator: It *is* quite the baroque flourish, isn't it? For me, these kinds of heraldic images are more than just stiff portraits; they're little dramas. Look at the personifications of virtues surrounding the coat of arms – Justice with her scales, perhaps Minerva in her helmet, I think I spot Art reclining at the bottom of the image! How do you see these different components contributing to the overall meaning? Editor: Well, each figure seems to be praising Maria Theresa, bolstering her image. I suppose the abundance of symbolic elements might imply her strength and all the territories she presided over? Curator: Precisely! The engraver crams in symbols to amplify Maria Theresa’s authority. It is also important to note the context in which this was made: engraving allowed for the broader circulation of royal imagery during her reign. In comparison to painted portraits reserved for elites, how might prints like this serve political goals? Editor: Interesting! So, prints like this served as propaganda... It highlights not just her lineage but also implies she embodies virtues like justice. I hadn’t really considered it that way at first glance. Curator: It is pretty heady stuff. Don't be intimidated; it is, after all, a political statement cloaked in elegant robes and symbols. It whispers promises of stability, strength, and even divine right. Think of each element like an ingredient in a potent, carefully brewed potion, and ask yourself: What effect were they hoping to achieve? Editor: I guess what I'll take away is this wasn't *just* a portrait. It was an entire constructed *narrative*, aimed at shaping public perception. Curator: A carefully orchestrated performance, frozen in ink and paper. We just had to unpack the props!

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