De aanbidding der koningen 1588 - 1605

Editor: We are looking at Jacob de Weert’s engraving "The Adoration of the Kings," created between 1588 and 1605. It's a small print, very intricate. I’m struck by the stillness of the central figures against the backdrop of quite extravagant costumes and architectural details. How do you see this piece functioning within its historical moment? Curator: The 'stillness,' as you say, sits within the Mannerist style, which privileged elegance over naturalism and celebrated artifice. Think about this print in relation to the social codes of the period. Jacob de Weert probably aimed to engage his wealthy audience by making abundant details as something like puzzles that offer intellectual satisfaction by rewarding close examination. Can you feel it? Editor: Definitely. The floral border in the engraving adds to that sense, creating another layer of detail to unpack. I'm wondering if you can elaborate a bit more on the function of this print and why Weert might have opted for an engraving rather than other mediums available. Curator: Good eye for catching on the floral ornaments: the work's edges function like miniature gardens for intellectual bees buzzing for art and science! A print, like this engraving, was relatively inexpensive to produce and buy at the time. So it acted as a portable devotional object and, let’s not forget, also a means of disseminating Weert's artistry far and wide. The line work itself mirrors the refined sensibilities of the time. What do you make of the artist's decision to include those detailed floral decorations along the border? Editor: It's a reminder that even religious subjects were filtered through an artistic lens, celebrating both the sacred and the aesthetic. I appreciate the opportunity to reflect on such an intriguing artwork and I hope you've gained new insights, too. Curator: Precisely, a jewel box to put into perspective our contemporary image frenzy.