The River Port Eguchi c. 1832

"The River Port Eguchi" was created by Totoya Hokkei around 1820 using woodblock printing, a process rooted in craft and labor. The materiality of the print directly influences its aesthetic. The lines are crisp, the colors flat and vibrant, all due to the precise carving of the woodblocks. The process begins with a drawing, which is then meticulously transferred to a wooden block. Areas around the lines are carefully carved away, leaving a raised surface that will hold the ink. Each color requires a separate block, demanding careful registration to achieve the final image. This print exemplifies the Ukiyo-e tradition, where skilled artisans, not just the artist, contribute to the final artwork. Hokkei's design, combined with the craftsmanship of the carver and printer, invites us to consider the social context of art production. The division of labor and the skill involved in each step challenge any distinction between art and craft. Ultimately, appreciating the materiality and process enhances our understanding of its cultural significance.