Portret van een man by Albert Greiner

Portret van een man c. 1865 - 1885

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photography, albumen-print

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portrait

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photography

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historical photography

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19th century

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albumen-print

Dimensions: height 84 mm, width 51 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have an intriguing piece from the Rijksmuseum's collection: "Portret van een man," which translates to "Portrait of a Man." This albumen print photograph, created sometime between 1865 and 1885, offers a glimpse into 19th-century portraiture. Editor: He does look rather severe, doesn't he? His gaze is intense, and I can't help but wonder about his story. The oval frame adds a sort of preciousness to his image. It is quite intimate. Curator: Absolutely. These types of photographs were often part of family albums. It shows the rise of photography and democratization of the portrait, which, of course, used to be the preserve of the wealthy elite who could commission painted portraits. Editor: So, mass dissemination of personal likeness then. I wonder if he commissioned this himself to signify his bourgeois ascendance, perhaps? The meticulously groomed mustache, the jacket and tie...it's all very self-conscious, and points towards respectability. Curator: That's a very interesting perspective. You know, it might also suggest how standardized representations were becoming at the time. There's a tension between asserting individuality and conforming to societal norms, particularly regarding masculine identity, which these portraits help define. Editor: Yes, standardization and conformity absolutely, which is maybe also why it is easy to project something subversive or challenging onto his blank face, knowing how restricting societal expectations of that time were. Almost a defiance in reserve, if you like. Curator: The beauty of art, isn’t it? He stands as an interesting individual whose gaze, even captured through early photography, continues to stir conversations across centuries, reminding us of the many layers within a seemingly simple portrait. Editor: Precisely, a simple yet very evocative memento caught at a fascinating turning point for both photography and society itself. One small picture; infinite stories.

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