Histoire de fées et de peau d'ane by M. Hemeleers-van Houter

Histoire de fées et de peau d'ane 1827 - 1894

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drawing, print, etching, ink, pen, engraving

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portrait

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drawing

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fairy-painting

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comic strip sketch

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medieval

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narrative-art

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print

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etching

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old engraving style

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landscape

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figuration

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personal sketchbook

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ink

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sketchwork

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ink drawing experimentation

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pen-ink sketch

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comic

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line

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pen work

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sketchbook drawing

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pen

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history-painting

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storyboard and sketchbook work

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sketchbook art

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engraving

Dimensions: height 370 mm, width 300 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have "Histoire de fées et de peau d'ane," created sometime between 1827 and 1894, and currently held at the Rijksmuseum. It appears to be a comic strip style etching, detailing a narrative. What symbols or deeper meanings can you decipher from these scenes? Curator: The enduring power of fairy tales lies in their symbolism. Each scene acts as a visual echo of archetypal themes. Notice how the figures are framed – almost like individual memory boxes. What repeated images stand out to you? Editor: I see a recurring image of characters kneeling, also characters handing off an object between each other. Curator: Indeed. Kneeling often signifies submission, respect, or a pivotal decision. In many cultures, the act of kneeling before someone transforms the power dynamic. These panels echo traditions around medieval pageantry. Are there other clues you observe in how relationships and their symbols relate to ours today? Editor: The clothing choices. Long draped gowns for women and royal presentation in men are clearly statements of hierarchical significance, aren't they? Curator: Precisely. Consider how these choices reflect cultural values related to appearance, gender, and social identity. What emotional impact might the characters expect from seeing themselves presented this way? Also consider what expectations *we* now have of what we expect royalty to look like in art? Editor: So much to think about! Seeing these timeless stories told in such a manner invites viewers to dive deep into the tale of shared iconography through art. Curator: Absolutely. Images carry coded messages that we interpret through a historical lens and a personalized one. They can tell new stories when placed side by side, as displayed here.

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