End of Strife 16th-17th century

Curator: Hans Collaert the Younger gives us this intriguing print, "End of Strife." It resides at the Harvard Art Museums, a small work teeming with symbolism. Editor: It has a feverish, slightly claustrophobic feel, doesn't it? The composition, all sharp angles and dramatic light, creates a tense atmosphere. What's your take? Curator: Looking at it, I see the defeated Mars, god of war, slumped in what appears to be a cave. Notice the figure stamping on weapons—a symbolic burial of conflict, perhaps? Editor: Absolutely. That figure embodies the triumph over discord. The cave setting itself speaks of hidden passions and suppressed desires. It's almost a psychological landscape. Curator: The winged figure above Mars, maybe a fallen angel? And the fire blazing in the background adds another layer—purification, destruction? Editor: I think the fire also relates to deep inner turmoil, and the angel certainly gives that fallen image. Collaert cleverly combines classical and Christian imagery, don’t you think? It's a rich blend. Curator: I do, and it speaks to how artists throughout time continue to work through deep conflicts. It has been fascinating to explore these threads in Collart's work. Editor: Yes, a powerful reminder that art has always been a reflection of our inner struggles, and even our hopes for peace.