Titelpagina van: Nette afbeelding en ampele beschrijving der eere-poorten, 's-Gravenhage 1766 by Anonymous

Titelpagina van: Nette afbeelding en ampele beschrijving der eere-poorten, 's-Gravenhage 1766 1766

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Dimensions: height 545 mm, width 420 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have a title page from 1766, "Nette afbeelding en ampele beschrijving der eere-poorten," which translates to "Neat Depiction and Ample Description of the Triumphal Arches." The print commemorates Willem Karel Hendrik Friso, Prince of Orange and Nassau. Editor: It's very declarative! You get a strong sense of Baroque design even just in the typography. The stark contrasts and ornamented coat-of-arms makes you expect something grandiose even before you know its purpose. Curator: Exactly. Note the precise, symmetrical arrangement of the text and imagery. The engraving focuses on clarity and hierarchy; large, bold lettering draws attention to the title, while smaller text provides detail. This structural organization embodies Baroque principles. Editor: And yet, something about the flourished design around the coat of arms and the slightly mottled paper also gives it a wonderfully handmade feel. It balances cold authority with human imperfection in an intriguing way. The whole composition feels solid but also airy. Curator: We should not overlook the use of paper as both support and medium. The fibers and texture contribute to the object's physical presence. This tactile quality highlights the artwork’s material reality and challenges any sense of immateriality. It serves as both a record of, and testament to, past artistry. Editor: Looking at it makes me imagine the artist meticulously carving out those tiny details—a true labour of love or, at least, a testament to skillful craft! The contrast between the sharp, defined text and the more organic design is rather nice too. The way these prints feel like whispers from the past never fails to enchant me. Curator: Agreed. The print’s meticulous design demonstrates careful planning, inviting us to delve into the social function these kind of Baroque honorific objects fulfilled. Editor: Indeed, thinking about who might have originally held this in their hands certainly deepens one’s connection with it, doesn't it?

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