Honderd gezichten op de berg Fuji - deel drie by Katsushika Hokusai

Honderd gezichten op de berg Fuji - deel drie 1875

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Dimensions: height 227 mm, width 158 mm

Copyright: Rijks Museum: Open Domain

This is the third volume of Katsushika Hokusai's series "One Hundred Views of Mount Fuji," made with woodblock printing techniques. The cover features elegant calligraphy, a potent symbol in East Asian art, embodying knowledge, refinement, and spiritual insight. This practice has roots reaching back to ancient China, where writing was not merely a means of communication but a sacred art form. Think back to Egyptian hieroglyphs—another script imbued with immense power, believed capable of bringing concepts into reality. Calligraphy's flowing lines and deliberate strokes became a mirror reflecting the artist’s soul, a visual representation of inner harmony and balance. This emphasis on form and aesthetic beauty is found across cultures, from the elaborate Gothic scripts in medieval illuminated manuscripts to the intricate Arabic calligraphy adorning mosques. These symbols are vessels that carry profound cultural and emotional weight, engaging viewers on a subconscious level. Like the recurring motifs in dreams, calligraphy transcends time and place.

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