Spiegelversiering van de Royal Charles, 1667 1857 - 1859

This is an engraving from 1667 by an anonymous artist, representing the Spiegelversiering van de Royal Charles. Look at the image: it’s dominated by a symmetrical arrangement of heraldic symbols rendered in meticulous detail. Notice how the composition centres around the royal coat of arms, flanked by a lion and a unicorn. The stark contrasts achieved through engraving bring a dynamic tension to the otherwise formal composition. This play of light and shadow, line and form, underscores the themes of power and sovereignty inherent in the imagery. The semiotic weight of the lion and unicorn—symbols of England and Scotland—alongside the motto “Dieu et mon droit,” speaks to the complex interplay of national identity and monarchical authority. These motifs do not merely decorate but actively construct a narrative of legitimacy and divine right. Consider, too, how the artist uses symmetry to reinforce the idea of order and stability. The mirroring of elements suggests a deliberate attempt to project an image of steadfast governance. These choices in structure, composition and form reveal the cultural and philosophical underpinnings of the artwork.