Hyacinthe Rigaud c. 17th century

Editor: This is Gérard Edelinck's portrait of Hyacinthe Rigaud. It's an engraving, and Rigaud seems so self-assured, surrounded by symbols of his artistry. What can you tell me about how this image functions as a public declaration? Curator: Edelinck's work isn't just a likeness; it's a carefully constructed image of artistic authority. How does the setting – the classical architecture, the sculptural elements – contribute to Rigaud's image? Editor: It's like he's placing himself within a lineage of great artists. Curator: Exactly. And consider the Latin inscription. It connects Rigaud to both Roman artistic tradition and royalty, reinforcing his status. It’s a carefully crafted piece of visual rhetoric. Editor: So it's about building a reputation, not just showing someone's face. I never thought about portraits working like that.