The Actor Sawamura Sojuro II (formerly Utagawa Shirogoro) as Matsuomaru and Azumo Tozo I as Sakuramaru in the play "Sugawara Denju Tenarai Kagami," performed at the Morita Theater, 1750 1750

Ishikawa Toyonobu created this Ukiyo-e woodblock print in 1750, depicting a scene from the popular Kabuki play "Sugawara Denju Tenarai Kagami," set during the Heian period. The print captures Sawamura Sojuro II and Azumo Tozo I in character, amidst themes of loyalty, sacrifice, and political intrigue. It’s hard not to think about the representation of male identity, particularly within the rigid social structures of 18th-century Japan. Kabuki, while popular, often challenged social norms through its exaggerated performances and the blurring of gender roles. In looking at the actor's expressive poses and elaborate costumes, consider the emotional intensity conveyed through this artistic medium, and how it reflects the social values and theatrical traditions of the Edo period. Consider how this print both preserves and reimagines historical narratives, inviting us to reflect on the complexities of cultural representation and performance.