The Cardinal Infante 1634

Peter Paul Rubens painted "The Cardinal Infante" using oil paint on canvas. The fluid quality that we see in the horse’s mane, the cardinal’s sash, and the figures in the sky only becomes possible with the smooth blending of oil. Rubens was a master of Baroque painting, a style that emphasized drama and grandeur. Oil paint suited this aesthetic perfectly. The cost of these materials reflects the high social status of his subject. The vibrant colors and glossy finish are due to the costly pigments and oils used. The canvas provides a sturdy support for the paint, allowing for large-scale works like this. The application of paint in layers, or glazes, creates depth and luminosity, enhancing the overall impact of the artwork. It is clear that Rubens did not work alone. The sheer scale of the canvas and the intricate details suggest the involvement of assistants, a common practice in his workshop. Recognizing this collaborative aspect reminds us that artmaking often involves a complex interplay of skill, labor, and resources, challenging the idea of the artist as a solitary genius.