Pitcher 1935 - 1942

Editor: This drawing, simply titled "Pitcher," was done by Louis Annino sometime between 1935 and 1942 using pencil. I'm immediately struck by the almost sculptural quality he achieves with a simple pencil, particularly with the decorations on the pitcher. What details stand out to you? Curator: Note the exquisite tonal gradations Annino achieves. See how he models form through subtle variations in shading? The success of the drawing depends not only on descriptive outline, but especially on careful observation of highlight and shadow. What would you say about the artist's command of line? Editor: I think it’s fascinating how controlled and precise the lines are. It really gives the pitcher this sharp definition and volume. The decorations seem to emerge from the body of the pitcher. Curator: Precisely! We see that Annino wasn't interested in mere mimesis, but instead explored the inherent properties of line and tone. Note also the considered arrangement of the pitcher itself within the pictorial space. Is there a balanced composition to the piece? Editor: Yes, it feels very grounded, and the lighting creates an interesting dynamic that centers the form. Curator: Indeed. Now, remove any thoughts of a real-world referent, focus only on the internal dynamics of the work. Consider the relationship between light and shadow, the interplay of line and form. Doesn't that yield a new appreciation for the drawing as an object itself? Editor: Absolutely, it reframes it as less representational and more about pure form and technique. I understand how important those formal elements are in carrying the meaning. Curator: Precisely. It’s about the careful balance, the interplay of forms, and ultimately, the aesthetic experience created by the artist's mastery of his medium. I'm glad to see it brought greater awareness to those of us viewing it, and I hope the audience appreciates it as much as we do.