[title not known] 

Editor: This artwork by Lady Susan Elizabeth Percy, housed in the Tate, depicts a waterside building in monochromatic wash. It has a very peaceful, pastoral feel. What do you see in this piece? Curator: The composition is meticulously structured, isn't it? Note how the artist has employed horizontal and vertical lines to create a sense of stability, disrupted only by the organic forms of the trees and reflections in the water. The formal qualities suggest a carefully constructed scene. Editor: I hadn't considered the lines that way, but now I see how the buildings mimic each other through their angularity. I now understand the intentionality behind what I interpreted as peaceful. Curator: Indeed. And does this awareness not also transform your reading of the work? The artist's hand, the very articulation of form, invites us into a deeper understanding. Editor: It certainly does. Thanks for pointing out the interplay between the geometric and the organic. Curator: A pleasure to explore it with you.