Drie studies voor een landschap met een meisje en twee geitjes 1849 - 1917

Matthijs Maris made this drawing, "Three Studies for a Landscape with a Girl and Two Goats," using graphite on paper. The artist’s hand is immediately evident. Pencil is about capturing the immediacy of the maker’s thought. The texture of the paper supports this sense of intimacy. Its tooth grabs at the graphite, creating a soft, slightly broken line. It’s clear Maris wasn’t interested in a slick surface, but instead wanted to retain a sense of the hand-made. The quick, light strokes of the pencil suggest a fleeting moment, capturing the essence of the landscape and figures with minimal detail. Yet, within this economy of means, there's a remarkable sense of depth and atmosphere. You can sense the artist deciding what to keep and what to eliminate. Ultimately, this drawing reminds us that art isn't just about the final image, but also about the process of creation and the artist's engagement with their materials. It is a testament to the power of simple tools and skilled hands to capture beauty and emotion.