The third wise VirginFrom the Series 'The Five Wise and Five Foolish Virgins' c. 1475

Editor: This is Martin Schongauer's "The third wise Virgin" from around 1475, an engraving. There's something quite serene and composed about the figure, even though she's holding a burning lamp. What stands out to you in this piece? Curator: The interesting thing about this work is how it participates in the cultural discourse of its time. Schongauer, working in the late 15th century, reflects anxieties about female virtue and preparedness within a religious framework. This particular virgin, one of the wise ones, highlights the importance of vigilance and readiness, themes heavily promoted by the Church. Think about how this imagery might reinforce certain power structures related to women's roles. Editor: So, it’s not just a beautiful image but a reinforcement of social expectations? Curator: Exactly. The lamp, of course, symbolizes faith and enlightenment, but also constant readiness. Who is considered worthy and able to access that light? The parable implies a strict dichotomy and a potential judgment, especially toward women. I wonder, what kind of judgement we, as viewers, impose in the twenty-first century when we view Schongauer’s image? Editor: That’s a great point. It's easy to look at the image and admire the artistry without considering its impact and the ideas it was promoting. Curator: Precisely. Art is never created in a vacuum. By acknowledging its cultural baggage, we engage in a more meaningful dialogue with both the artwork and its legacy. What this engraving tells me, is not merely a biblical teaching but a deep, and rather biased, historical document. Editor: I'll definitely keep that in mind moving forward! Thanks.