Beleg van La Rochelle, september 1627-oktober 1628 (randwerk, deel rechtsonder) 1628 - 1631

This etching of the Siege of La Rochelle was made by Abraham Bosse around 1628. The artwork is dominated by an intricate, horizontally-oriented composition, framed by elaborate, ornamental borders. The scene is divided into distinct sections, each encapsulating different aspects of the siege. The linear precision and detail invite a close reading of its symbolic representation. Bosse’s formal approach reflects a broader cultural interest in the systematic organization and control of visual space. The meticulous arrangement of elements and the use of linear perspective serve to order the chaos of war, imposing a sense of rationality on the conflict. The detailed rendering of architectural and mechanical elements emphasizes the technological dimensions of the siege. The work functions as a visual text, with carefully constructed elements that invite semiotic analysis. Bosse's print is not just a record of events; it is a structured representation of power.