Afkondiging van het Generaal Pardon, 1570 c. 1570 - 1572

Curator: So, we’re looking at Frans Hogenberg's print, "Afkondiging van het Generaal Pardon, 1570," or "Proclamation of the General Pardon, 1570." Created circa 1570-1572, it’s an engraving showcasing a pivotal moment in Dutch history. Editor: It's all stairs! So many little people perched on what looks like a never-ending staircase. It feels strangely... optimistic, despite the serious subject matter it likely depicts. The linear hatching gives it this vibrant buzz, a collective energy. Curator: Indeed. Hogenberg, known for his engravings, meticulously renders the scene. We observe not only the figures but also the architectural setting and symbolic elements tied to power and governance in that era. Editor: There is this odd bird’s eye quality about it. Like we're hovering above, removed yet engaged. Makes me think about how stories are passed down and evolve; what’s being forgiven here, I wonder, and how forgiving are these stone-faced folks? Curator: Precisely, one of the key themes here is understanding the role of print as a medium, reproducing and disseminating historical narratives in the sixteenth century. And the question that lies here is: Who controlled the narrative of history? Editor: Narratives woven on paper, indeed. These figures frozen in time... it makes you ponder how fragile any peace can be. So detailed yet distant. Curator: I appreciate your response, that artful interpretation! I wanted to bring forth not only the aesthetic aspects but also delve deeper into the historical context, production processes, and consumption of media in past eras. Editor: Thanks! It makes me see it with newer eyes. I was all mood before. Now, the print is a conversation – or shouting match! – across time, and with the benefit of hindsight. We have a future from this moment.