1888 - 1892
Florence Gerard, from the Actresses series (N246), Type 2, issued by Kinney Brothers to promote Sporting Extra Cigarettes
Kinney Brothers Tobacco Company
1869 - 2011The Metropolitan Museum of Art
Metropolitan Museum of Art, New York, NYListen to curator's interpretation
Curatorial notes
Curator: Looking at this photograph, I immediately sense a kind of wistful nostalgia. There's something so tender in the sepia tones, a gentle fade to the past. Editor: Indeed. What we have here is "Florence Gerard, from the Actresses series (N246), Type 2", a piece dating from 1888 to 1892. It’s part of a series issued by Kinney Brothers to promote their Sporting Extra Cigarettes. So, really, a piece of advertising ephemera elevating an actress. Curator: Isn't it remarkable how promotional items can capture so much more than their intended purpose? The soft focus lends her an almost ethereal quality. She looks like a dream of a woman. What's more amazing, really, selling her likeness on small paper? Editor: These were the early days of mass media, really. The commodification of celebrity. These cigarette cards helped normalize seeing these actresses—Florence Gerard, in this instance—everywhere. To have a relationship, almost, via ubiquity and repetition. Curator: It feels a little invasive, though, doesn't it? Like a piece of someone's soul put up for sale. But she's so self-possessed. Her gaze is direct, confident, despite the vulnerability implied by the intimate portrait. Editor: These cards actually democratized portraiture. Before, having one’s likeness captured was a rather exclusive endeavor, mostly for the upper classes. But here, for the price of a pack of cigarettes, anyone could have a piece of that glamour. Of course, there were prices in other ways to pay, with labor conditions in cigarette factories, for one. Curator: Knowing the social context reframes my experience. What I saw as intimate is perhaps another form of labor; a trade. It definitely deepens the experience for me. Editor: For me, it underlines the changing social role of the stage. This shows how theater entered into broader social spaces of public image and commodity culture, too. Curator: Absolutely! This seemingly simple photograph becomes a fascinating intersection of art, commerce, and the evolving role of women in society. It has some really profound cultural implications!