Design for a Wall Decoration at Fontainebleau by Simon Vouet

Design for a Wall Decoration at Fontainebleau 1643 - 1644

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drawing, pencil, charcoal

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drawing

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allegory

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baroque

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charcoal drawing

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figuration

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pencil

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charcoal

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history-painting

Dimensions: 13 11/16 x 5 11/16 in. (34.77 x 14.45 cm) (sheet)19 3/4 × 15 3/4 in. (50.17 × 40.01 cm) (outer frame)

Copyright: Public Domain

Simon Vouet created this design for a wall decoration at Fontainebleau using black and white chalk. The drawing presents a symmetrical arrangement with two draped female figures at the top and two cherubic figures at the base. The figures frame a large, shield-like empty space. Vouet's sophisticated use of light and shadow creates a dynamic surface, animating the figures and architectural elements. The composition emphasizes balance, reflecting classical ideals while the soft, flowing lines and delicate shading bring a certain grace, typical of the Baroque period. The blank shield at the center invites speculation. It is an open signifier onto which meanings can be projected. This element transforms the design from a mere decorative piece into a field for potential narratives. The drawing operates as a structured void. The surrounding imagery directs our gaze but it is the emptiness that ultimately commands our attention.

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minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Simon Vouet served at the court of Louis XIII as "first painter to the king." At the chateau of Fontainebleau, Vouet used this sketch as the basis for a fresco in the vestibule of the queen's apartments in 1644. The decorations were later destroyed, but they are known from a book of engravings that reproduce the works. This drawing even provided inspiration for the book's title page. The engraver, Michel Dorigny, Vouet's son-in-law, made significant changes to Vouet's drawing when adapting it for print, altering the composition and turning Vouet's robust, monumental figures into thinner, less classicizing women and putti.

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