Jongen kijkt naar een autoband met gezicht c. 1920 - 1970

C. van Roojen made "Jongen kijkt naar een autoband met gezicht" with ink on paper. The sketchy quality of the drawing shows how much art is about process; it's about putting something down and seeing what happens next. The lines are confident and playful, and the monochrome palette focuses the attention on the shapes and composition. There's something both charming and unsettling about the image. The texture of the paper peeks through the drawing, making the world feel immediate and intimate. Look at the way van Roojen uses line to define the boy’s hair. See how the solid shapes sit alongside the more open marks, creating a balance of detail and abstraction. The tyre-face hovers above the boy, like a bizarre thought form. Is it a reflection of the boy's own inner world? It makes me think of other artists like Philip Guston, who embraced a similar kind of cartoonish figuration to explore serious themes. Ultimately, the drawing is a reminder that art is an open-ended conversation.