Landschap met grote struiken en wandelaar before 1855

This landscape with large bushes and a walker was etched by Charles François Daubigny. The bending tree is a dominant symbol, a motif which has been with us since the beginning of time. We see the tree as the axis mundi, connecting the earthly and the divine, a symbol echoing the Tree of Life from ancient mythologies and religions. In Daubigny’s hands, the tree is a secular symbol, though the impulse remains the same. Even in later works by artists like Mondrian, the tree continues to signify connection to the divine. The image draws on our collective memory, engaging us on a subconscious level with our primitive roots, where nature was both provider and threat. A visual echo of the human spirit, it captures a silent but powerful force that touches upon the very depths of our subconscious. Through such symbols, art becomes a mirror, reflecting the non-linear, cyclical progression of symbols, their resurfacing, evolution, and continuous adaptation across diverse historical contexts.