Curatorial notes
Curator: This engraving depicts the Arc de Triomphe du Thrône, envisioned by Claude Perrault in 1670 for the Faubourg Saint-Antoine district. It's a fascinating glimpse into the Parisian cityscape of that era. Editor: Immediately, I'm struck by how precisely linear and ornamental it is. So many meticulously placed details. It gives off an incredibly strong, almost overwhelming impression. How was this piece meant to function for the citizens of Paris? Curator: Triumphal arches, especially at the city gates, were very popular then; more than simply decorations, these arches, built to celebrate Louis XIV’s victories, were potent statements of royal authority. Editor: So, carefully curated architectural propaganda then! That crown up top--did the sculptor maybe go a bit wild? So much energy gathered around that lonely king on horseback. I almost feel for him. Curator: Well, you're seeing the exuberance of the Baroque style, where classical forms were imbued with dynamism and theatricality to inspire a range of emotion in the viewer. It wasn't merely a symbol, but a sensory experience. Think about what this would've been like in life. Can you imagine walking under this on a dusty Parisian road? Editor: Ah, I can just barely. And given its placement at the entrance of the Faubourg, would this suggest something about its residents as well? Curator: Absolutely. Saint-Antoine was home to artisans and working people. The arch projects an image of strength to all who passed. A potent reminder of the crown’s influence on people’s day to day lives. Editor: Thinking about that intended audience offers a fresh perspective. Instead of cold propaganda, it's almost an aspirational message or wishful thinking. A testament to a kingdom's will to grandeur. Curator: I think there is a space in between the intent, the reality, and our perception today. Even in this simple print form, one can imagine the vibrant life and ambitions held by the city. Editor: True enough. This small, very deliberate creation provides a compelling snapshot into the ambitions of a kingdom—an ideal captured through the artistry of de La Gardette’s engraving.