Suzanna en de ouderlingen by Pieter van den Berge

Suzanna en de ouderlingen 1692 - 1737

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print, engraving

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baroque

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print

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figuration

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genre-painting

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history-painting

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nude

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engraving

Dimensions: height 257 mm, width 171 mm

Copyright: Rijks Museum: Open Domain

Editor: So this is "Suzanna en de Ouderlingen," made between 1692 and 1737 by Pieter van den Berge. It’s an engraving, currently held at the Rijksmuseum. I find the contrast between the darkness of the figures surrounding Suzanna and her illuminated form to be quite striking. How do you interpret this work, especially considering the symbolism at play? Curator: Ah, yes, Suzanna. This engraving captures a very specific moment laden with symbolism and a cautionary narrative. It stems from the Book of Daniel, telling the story of Suzanna, a virtuous woman, being spied upon by elders. Notice how Van den Berge uses the darkness you mentioned not just for contrast, but to visually embody the insidious nature of hidden lust and the corruption of power. The fountain, traditionally a source of purity and life, here reflects the threatened innocence of Suzanna. What do you make of her gesture, the raised hand? Editor: It feels like a rejection, a warding off of the men and their advances. Is that fair? Curator: Absolutely. It's a gesture echoing through centuries of art depicting the theme of female virtue besieged. Consider the raised hand also as a symbol of truth and justice she appeals to a higher power. Think about the gazes - where do they lead, and what stories do they tell on the figures' faces? The cultural memory attached to this scene speaks of vulnerability, the abuse of authority, and ultimately, vindication. How does understanding this influence your reading of the image? Editor: I guess I hadn't considered the larger cultural narrative. Knowing the context makes Suzanna's pose so much more powerful; it shifts from being just a reaction to something almost iconic. Curator: Exactly. Images become powerful precisely through their layered meanings, accrued over time and embedded in shared cultural consciousness. They speak to us beyond the immediate scene. Editor: This was truly insightful. I will never look at an engraving the same again! Curator: And I hope that this has encouraged you to delve deeper into the historical and cultural contexts of visual representations.

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