Dimensions: unconfirmed: 457 x 559 mm frame: 675 x 765 x 85 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is "Zebra and Parachute" by Christopher Wood. There's a zebra in an odd architectural space and a figure descending by parachute. It feels dreamlike and unsettling. What do you make of this juxtaposition? Curator: It's definitely intriguing. Wood was part of a generation grappling with rapid industrialization and its impact on the collective psyche. The zebra, a symbol of the exotic and untamed, is placed against stark, modern buildings. Consider how the parachute evokes both rescue and invasion. Does that dichotomy tell us about a society's hopes and fears? Editor: That's interesting. So the painting isn’t just a random collection of images but a reflection of societal tensions? Curator: Exactly. Wood uses a surreal visual language to explore the anxieties of his time, and the role art plays in processing those feelings. Editor: I see. The painting now feels more like a social commentary than a strange dreamscape. Thanks!
http://www.tate.org.uk/art/artworks/wood-zebra-and-parachute-t12038
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A friend of the Surrealist poet René Crevel, Wood made a small number of paintings that seem to reflect the movement's harnessing of the unexpected. His placement of a zebra outside Le Corbusier’s modernist house, the Villa Savoie (then still under construction), suggests a deliberate confrontation of the surreal and the functional styles that were then dominant in Paris. The image is made more perplexing by the figure of the parachutist. This was one of Wood's last works: in a paranoid state, he fell under a train in August 1930. Gallery label, July 2007