"When, exhausted by sensual pleasures. . ." c. 19th century

Curator: Paul Gavarni's lithograph, "When, exhausted by sensual pleasures...", presents a satirical look at domestic life, likely produced mid-19th century. It's currently held at the Harvard Art Museums. Editor: The immediate impression is one of languid ennui. The man's posture, slumped in the chair, creates a strong diagonal line intersected by the verticality of the doorway, boxing him in. Curator: The work reflects the social anxieties surrounding marriage and domesticity during the period. The artist critiques bourgeois ennui and perhaps the wife's lack of agency. Editor: Semiotically, his patterned trousers and relaxed pose contrast with her upright stance and dark dress, suggesting a visual power dynamic despite his physical inertia. The stark lines create a narrative of tension. Curator: Right, Gavarni often commented on the changing roles within marriage and the societal pressures on both men and women. Editor: The composition really directs our eyes to the woman, who is framed as more of a dark, looming presence than a comforting one. It’s a nice touch! Curator: Indeed, a compelling perspective on societal expectations. Editor: Yes, a rather bleak yet beautifully rendered commentary.