New York Office 1962

Edward Hopper made "New York Office" with oil on canvas, and though we don't know exactly when, it feels like it’s always been here. Hopper had such an eye for how light and shadow shape a space. The texture isn't trying to hide anything, the brushstrokes are right there, like he’s saying, "Here’s how it's done; it’s just paint." Look at the column; it's not just a column, it's chunks of painted light, almost abstract in its simplicity. The paint is applied with a directness that mirrors the starkness of the scene, thick in places to catch the light, thin in others to let the darkness seep through. Hopper reminds me a bit of Vilhelm Hammershøi, that Danish painter who also nailed quiet interiors. Hopper isn't just painting a scene; he's painting a mood, a feeling. You fill in the blanks. And that's what makes it art, not just a picture.