The Broken Pitcher by Jean-Baptiste Greuze

The Broken Pitcher 1850

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drawing, print, paper, engraving

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portrait

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drawing

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neoclacissism

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light pencil work

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print

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paper

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coloured pencil

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genre-painting

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engraving

Dimensions: Plate: 15 3/4 × 11 9/16 in. (40 × 29.4 cm)

Copyright: Public Domain

Curator: Welcome. Today, we’re examining Jean-Baptiste Greuze’s print, “The Broken Pitcher,” created around 1850. It’s a captivating piece, now housed in the Metropolitan Museum of Art. Editor: She looks… troubled, doesn’t she? There’s a fragility in her eyes, amplified by the subtle grey tones. It’s like looking into a fading memory, all softness and subdued drama. Curator: Indeed. Greuze often imbued his figures with a sense of moral narrative. The broken pitcher, a clear visual symbol, hints at lost innocence, a common motif in 18th-century art. Think about the historical moment here: the rise of the bourgeoisie and heightened emphasis on morality and domestic virtue. Editor: So, a shattered vessel represents… a broken promise? I'm reading a kind of knowing sadness there; perhaps she dropped that pitcher on purpose to get her out of some commitment? Maybe a little passive-aggressive revolution bubbling beneath those neat frills. The broken water fountain in the background somehow enhances that feeling of being stuck. Curator: That interpretation aligns with post-Freudian thinking, I think! But viewers would also recognize the iconography of a ruined, feminine state, made all the more clear when comparing it with the robust fountain being presented in the background.. Editor: The Neoclassical influence comes through subtly, yet it's the little splashes of light from her hair and garments that really steal the show, though. Also, the use of colored pencil against that background. Curator: The play of light enhances the emotional tenor of the portrait; the emphasis given to the facial features draws viewers in, prompting sympathy and a sense of moral reckoning, it also adds an airy touch. Editor: Greuze knew how to speak through images; it's an emotional powerhouse disguised as simple portraiture. Her face says so much! Curator: Absolutely. A small tragedy etched in charcoal and ink that reveals entire worlds when viewed with an awareness of historical precedent. Editor: Yes. So even the 'broken' has something to teach us. A lot actually.

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