Portret van Jonas Schrimpf 1643 - 1672

Curator: Well, hello! Let's dive into this remarkable piece, "Portrait of Jonas Schrimpf" by Matthias van Sommer. The artwork dates from somewhere between 1643 and 1672, and it's an engraving. Editor: My first thought? It’s intense! All that fine detail, it makes it seem like this Jonas Schrimpf really wants to make an impression. It’s powerful for just a print. What do you make of it? Curator: Jonas is definitely making a statement! With a formidable mustache. And if you were able to visit in person you'd notice it, as an engraving, possesses an intricate dance of light and shadow; the Baroque liked to be intense to get the emotion across! This portrait, for me, goes beyond mere likeness. See how the lines define not only his features but almost…exaggerate… his presence. I sense intelligence and unwavering resolve—almost…intimidating… isn’t it? Editor: Intimidating is right! I also notice that all of the inscriptions add to his status, right? What kind of person gets a portrait with that much Latin? Curator: Exactly! The inscription reinforces the aura of importance, situating Schrimpf within the circles of power, which really resonates within the baroque style of using status and visual dominance to create memorable pieces! And do note the man's chain; its links would emphasize its subject's influence and significance during its time. How might a modern equivalent manifest? Editor: Hmm, maybe a portrait with a Twitter verification badge and a LinkedIn title? This was such a helpful deep dive into Jonas's era; many thanks. Curator: Glad to, these prints really make me think! That's why I keep coming back for another peek!