Cottages and Trees on Hillside n.d.

Thomas Monro rendered "Cottages and Trees on Hillside" in ink and watercolor wash, likely sometime in the late 18th or early 19th century. This picturesque scene reflects a broader cultural interest in the rural landscape and the lives of ordinary people. The image's visual codes present an idealized view of country life, typical of Romanticism in Britain. However, we, as social historians, might ask: does it represent the realities of rural poverty and labor? Monro was associated with institutions like the Royal Academy, which shaped artistic tastes and provided opportunities for artists. His work, and the institutions with which he was connected, contributed to the construction of a national identity rooted in idealized landscapes. By consulting period documents, and social histories, we can better understand the complex relationship between art, culture, and society in Monro’s Britain. Art is not created in a vacuum but is contingent on the social conditions of its time.