Afgunst (Invidia) 1593

Editor: Here we have Jacob Matham’s "Afgunst (Invidia)," an engraving from 1593 housed at the Rijksmuseum. The figure is unsettling…the snakes and her emaciated form create a feeling of intense negativity. What do you see in this piece? Curator: Ah, yes, a powerful representation of Envy. What first strikes me is the figure itself, a grotesque caricature feeding upon… what is she consuming? Her own heart. Invidia, personified, quite literally devours herself in her insatiable longing for what others possess. Look at the snakes entwined in her hair and clutched in her hand. Editor: So, the snakes represent something specific? Curator: Absolutely. Snakes have long been associated with deceit, malice, and poison – all classic attributes of envy. The shields above, adorned with bestial images, could symbolize the debased, animalistic nature of envy itself. Consider the architectural frame too…a kind of cage for this destructive emotion? Editor: I see what you mean. It’s almost like envy is a force contained, but barely. It's interesting how Matham visualizes a concept, not just a person. Curator: Precisely! It reveals how early modern society grappled with internal vices. Look closer: she seems to be positioned in between a well-lit exterior space, and the darker interior space, which might give further insight to how she has chosen to stay within this envious stage and mindset. And note how different cultures interpret such imagery and perpetuate such fears across history. This makes the artwork relevant, even today. Editor: I didn't consider that. So, it's not just about art history, it is also about collective psychology. That is fascinating! Thanks for sharing your expertise!