Portret van een man by Paul Joseph Nicolas Nestor Schaffers

Portret van een man 1875 - 1896

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photography, gelatin-silver-print

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portrait

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charcoal drawing

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photography

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historical photography

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gelatin-silver-print

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realism

Dimensions: height 134 mm, width 96 mm

Copyright: Rijks Museum: Open Domain

Curator: This gelatin silver print, dating from around 1875 to 1896, presents a formal portrait of a man, captured by Paul Joseph Nicolas Nestor Schaffers. Editor: What strikes me is the formality, but with a certain weariness. He seems very composed but somehow also resigned. It is that kind of stoicism associated with those historical depictions. Curator: It's fascinating how photography, even in its earlier stages, was already being used to project particular images. This man is meticulously dressed and groomed, conforming to societal expectations of respectability and success. The way he holds the cane as well. There's almost an unspoken narrative of privilege embedded there, I believe. Editor: And perhaps an interesting subtext. The performative aspect of studio portraiture intersects with identity. The trappings of wealth serve as visual signifiers, but how might it intersect with ideas of power, masculinity, and perhaps its perceived burden in late 19th-century Europe? Does the photography become another instrument to show social divisions? Curator: Absolutely. And look at the subtle gradations in tone the artist coaxed from the silver gelatin process. The depth created suggests not just a physical likeness but a striving for some psychological insight, almost asking questions of our identity. Or perhaps I’m just romanticizing. I often wonder how the subject perceived themselves vis-à-vis the representation, which would surely change over time. Editor: The photograph certainly asks these questions about ourselves now, especially the interplay of gender and class constructs. It's both historical document and cultural artifact. And a little tragic, don't you think? To be immortalized yet also somewhat dehumanized by the lens? Curator: Yes. So true. Perhaps this portrait reflects both a bygone era's aspirations and also the universal human desire for recognition. A lasting—and haunting—impression indeed. Editor: A testament to photography's power to preserve, but also to provoke reflection and reinterpretation across time. It really hits deep!

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