Drie boeren zittend rond een bankje by Jonas Suyderhoef

Drie boeren zittend rond een bankje Possibly 1647 - 1800

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print, glass, engraving

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dutch-golden-age

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print

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old engraving style

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glass

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group-portraits

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line

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genre-painting

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engraving

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realism

Dimensions: height 286 mm, width 223 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "Three Peasants Seated Around a Bench," an engraving possibly from between 1647 and 1800, by Jonas Suyderhoef. The figures are so detailed, and it gives me the sense of being invited into a private, almost secret gathering. What strikes you when you look at this piece? Curator: Well, considering this work through a historical lens, it speaks volumes about the social fabric of the Dutch Golden Age. Genre scenes like this weren't simply representations of daily life; they actively constructed and reinforced notions about peasantry. How do you think the choice to depict these men drinking might have played into contemporary ideas about the working class? Editor: I see what you mean. Maybe it subtly reinforces certain stereotypes? That they were prone to leisure, perhaps? It's interesting that this would be created to be consumed as a print by presumably a different social class than the figures depicted. Curator: Exactly! The printing press made imagery accessible and affordable to a wide audience, thus the interpretation becomes intrinsically tied to consumerism, class and politics of the era. Consider the seemingly minor details – their clothing, the simple setting. Do you think those details contribute to how the image functions politically and socially? Editor: I do. The roughness and simplicity is what sells this image and propagates the distinction between different social groups. I hadn't thought about it in such critical detail before. Curator: Precisely. And those ‘minor’ details speak volumes about how such pieces played an important public role. Analyzing this etching isn't just about appreciating its aesthetic value; it is about dissecting the values, perceptions, and power dynamics embedded within the culture that produced it. It highlights the vital relationship of museums, art and the viewers themselves. Editor: This has been insightful. I’ll certainly look at art, especially genre scenes, differently now. Curator: I'm glad to hear. Considering how art operates within a broader cultural and historical context offers fresh insights into both its beauty and social influence.

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