Volkswoede in Alkmaar tijdens het Kaas- en Broodoproer, 1492 by Jacobus Buys

Volkswoede in Alkmaar tijdens het Kaas- en Broodoproer, 1492 1783 - 1785

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drawing, ink, pen

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drawing

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narrative-art

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dutch-golden-age

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pen illustration

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pen sketch

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figuration

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ink

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pen

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cityscape

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genre-painting

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history-painting

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realism

Dimensions: height 150 mm, width 90 mm

Copyright: Rijks Museum: Open Domain

Curator: Jacobus Buys created this evocative pen and ink drawing, "Volkswoede in Alkmaar tijdens het Kaas- en Broodoproer, 1492", sometime between 1783 and 1785. It currently resides here at the Rijksmuseum. Editor: Immediately, I’m struck by the chaotic energy! The composition is almost overflowing with figures, all rendered in dynamic poses. The artist really captures the frenzy of a crowd. Curator: Indeed! Buys illustrates a pivotal historical moment, the "Cheese and Bread Riot" in Alkmaar. These riots emerged from widespread famine and poverty; the people demanded access to affordable food. The drawing brings to light a critical socio-economic conflict of the late 15th century. Editor: Look how the composition directs our gaze: the central figure, seemingly caught in the riot’s heart, grabs his head in apparent distress. Then, our eyes move upward, to the person throwing goods out of the window and the architectural detail of the buildings, thus placing the riot in a wider context. I see not just a riot but a social rupture. Who throws away food when so many are in need? Curator: That's right, we have to think about what those flags signify. Beyond mere historical representation, this drawing underscores power structures within 15th-century Alkmaar, revealing civic tensions and the public's engagement with political authorities. Editor: Absolutely. The image is so pertinent today; the visual representation is relevant as inequality, the fight for access to food, social injustice and questions of power prevail across the globe. There’s also an immediacy achieved with the ink and pen work, giving a raw quality. Curator: That's the brilliant aspect of using the drawing medium to depict what’s supposed to be an exact historical event; the sketchy nature contributes to the volatile atmosphere of the scene. Editor: It makes me reflect on how easily "history painting" can also serve contemporary protest. The concerns remain tragically recognizable even centuries later. Curator: Buys provides us a vital portal, allowing viewers to reflect on a turning point in Alkmaar's past, a confrontation for social equity whose impact reverberates. Editor: And by examining this artwork, we are offered another vantage point, another opportunity to consider the present circumstances of our societies.

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