The Ghent Altarpiece (exterior) 1432

This is the exterior view of the Ghent Altarpiece, painted by Jan van Eyck in the 15th century in what is now Belgium. This polyptych was commissioned for the church of St. Bavo in Ghent, and its imagery serves a public function by reinforcing Christian doctrine and local civic identity. The figures of the donors, Jodocus Vijd and his wife Elisabeth Borluut, are depicted kneeling in prayer. The two Saint Johns, and the Annunciation scene above, fill out the ensemble of holy figures. Van Eyck’s meticulous realism gives this painting a convincing presence that invites viewers into a space of devotion. The altarpiece reflects the religious culture of the time and Van Eyck's mastery of oil paint. Understanding the Ghent Altarpiece requires us to investigate both the artist's techniques and the social role of religious art in the Northern Renaissance. Primary source material, such as contracts, letters, and church records, can shed light on the creation, patronage, and reception of this iconic work.