Portret van paus Alexander VII 1655 - 1676

Theodor Matham created this portrait of Pope Alexander VII using engraving, a printmaking process, sometime in the mid-17th century. Engraving is a skilled intaglio technique where the artist carefully cuts lines into a metal plate, typically copper, using a tool called a burin. Ink is then applied to the plate, pushed into these engraved lines, and the surface is wiped clean. The image is transferred to paper under high pressure in a printing press, resulting in a finely detailed image. The precision of the engraved lines allows for subtle tonal variations and textures, which can be seen in the Pope’s face and clothing. This process demands significant labor and expertise, reflecting the value placed on skilled craftsmanship during this period. The resulting prints could be reproduced and disseminated widely, making imagery more accessible. Considering the labor-intensive nature of engraving, it is a testament to Matham's skill and the cultural significance attached to portraiture and religious authority at the time. The print situates the Pope within a network of power, production, and consumption.