print, engraving
portrait
baroque
figuration
engraving
Dimensions: height 166 mm, width 97 mm
Copyright: Rijks Museum: Open Domain
Lucas Vorsterman I created this portrait of Jean Puget de La Serre with engraving techniques. This involved using a tool called a burin to carve lines directly into a copper plate. The act of engraving demands precision and control. Each line meticulously etched into the metal contributes to the overall image, and the depth and spacing of these lines determine the tonal range and texture of the print. Here, you can see how the crisp lines create fine details such as the intricate folds of the sitter’s clothing, and the texture of his hair. Printmaking, like engraving, played a crucial role in disseminating knowledge, cultural values, and visual information in society. It allowed for the reproduction of images on a large scale, making art and information more accessible to a wider audience. The amount of time and labor put into the process reflects the value placed on the dissemination of knowledge during this period. Understanding the materials and processes of creation offers a deeper appreciation for Vorsterman’s skill, and the cultural role of printmaking in society, reminding us that art is a product of both technical expertise and social context.
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