Small vase by Chinese

Small vase 1700 - 1800

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ceramic, earthenware

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asian-art

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ceramic

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earthenware

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stoneware

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ceramic

Dimensions: Height: 4 5/16 in. (11 cm.)

Copyright: Public Domain

Curator: Ah, the 'Small Vase.' It’s dated from around 1700 to 1800, crafted from earthenware with a stoneware-type glaze, originating from China. Editor: The color! That muted rose, like faded sunsets and ancient secrets. It feels simultaneously fragile and resilient. Curator: The 'langyao' glaze is truly striking, known for its variations and those copper-red mottled effects. Look closely at the swelling form of the central section, meeting with an emphasized fluted lip at the top. Editor: I can imagine this object filled with budding lotus flowers or willow branches—classic symbols of renewal. Does that red carry connotations of prosperity? Curator: Yes, traditionally, red glazes were particularly favored for imperial wares, representing happiness and good fortune. The unpredictability of achieving that color, requiring a reduction-fired kiln at very high temperatures, made these prized objects. Editor: The almost visceral quality of that unpredictability appeals to me. A controlled accident that represents balance of life in its intentional and unintentional circumstances. The texture of the glaze seems slightly cratered— is there significance in that asymmetry? Curator: Those subtle variations in the glaze are inherent to the process. Consider the balance and harmony—the relationship between its cylindrical core and trumpet opening at the top is precisely what creates this pleasing, classic vase. Editor: It's true, the careful fluting at the rim and the gradual rounding in the central bulb does suggest stability and completeness. A sense of quiet dignity... though the base also flares in an intentional yet controlled fashion, grounding the whole structure. Curator: The interplay of the rounded bulb to the fluted lip guides the eye upwards in continuous movement. Editor: Examining this vase has shown me a reminder of time and change— both visually and culturally embedded within the surface and design itself. Curator: Agreed. It embodies artistic precision, chemical processes, cultural intent—a synthesis of numerous forces in an attempt to create beauty through considered structural composition.

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