Dimensions: unconfirmed: 276 x 251 mm frame: 437 x 413 x 62 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Welcome. Here we have Joanna Mary Wells' "Portrait of Sidney Wells", held here at the Tate. Editor: It has a certain softness, doesn't it? The chubby cheeks practically beg to be pinched. Curator: Wells, though a brief artistic presence, clearly benefitted from the burgeoning portrait market of the time, catering to sentimental desires of the rising middle class. Editor: Yes, but look closer. The rendering of that delicate lace trim, the blue ribbons. How much labour went into the making of those adornments? It really speaks to the value placed on these visual signifiers of prosperity. Curator: Indeed. The portrait is a cultural artefact, revealing societal values around childhood and status. Wells would have made a living from rendering these values. Editor: It makes you consider the unseen hands behind that lace, the social tapestry woven into the fabric of the image. Curator: A fascinating piece, prompting consideration of both the individual and the broader context of its creation. Editor: Absolutely, a portrait imbued with layers of material and social meaning.
http://www.tate.org.uk/art/artworks/wells-portrait-of-sidney-wells-t07058
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In this portrait, the artist’s second child returns our gaze. Joanna Wells (née Boyce) was part of the Pre-Raphaelite circle. The portrait’s frontal format draws on early images of Jesus that Wells studied in Italy. Her meticulous technique brings the viewer physically and psychologically close to her subject. In Victorian times, birth held high risks for mother and child. Sidney Wells died of a childhood illness and Joanna Wells did not survive the delivery of her third baby, two years later. Gallery label, January 2025