Pelures d'orange et dérivés 1962

Here we have Pierre Alechinsky’s ink drawing, “Pelures d'orange et dérivés,” which translates to ‘Orange Peels and Derivatives,’ made in 1962. It's a playful study in black and white, where the fluidity of ink meets the structure of comic book panels. I love how the ink here is both precise and loose. Look at the panel with the rose-like form. The lines are decisive, but they swirl and overlap, creating depth and mystery. Ink, as a medium, can do that, it lets the subconscious lead. The stark contrast of black on white amplifies the drama, each mark charged with energy, a testament to the artist's hand and the immediacy of the moment. The title suggests themes of transformation and the unexpected potential found in simple, discarded things. It reminds me of Philip Guston's later works, that embraced cartoonish elements. Both artists remind us to embrace process, and remain open to the playful possibilities that arise in the act of making.