Side Chair c. 1780 - 1790

This "Side Chair," currently held at The Art Institute of Chicago, is a fascinating example of anonymous craftsmanship. Notice how its dark velvet seat immediately draws the eye, a stark contrast to the lighter wood frame, creating a play of depth and shadow. The chair’s design isn't just about utility; it's a structured composition where each element, from the curved back to the detailed carving, contributes to a visual narrative. The carvings, especially, invite us to decode their symbolism, suggesting stories of status, taste, and cultural values of its time. Consider the chair's semiotic function: does it reinforce established hierarchies or perhaps offer a subtle critique through its design? The chair challenges fixed meanings; it invites you to contemplate its role beyond mere functionality. The anonymous artist thus engages in a dialogue, not just about furniture design, but about the broader cultural and philosophical contexts in which such an object exists.