Spaanse reaal van Karel en Johanna, koning en koningin van Castilie 1517
print, metal, engraving
portrait
metal
sculpture
11_renaissance
ancient-mediterranean
engraving
Dimensions: diameter 2.8 cm, weight 3.24 gr
Copyright: Rijks Museum: Open Domain
Editor: This is a Spanish Reale coin featuring Charles and Joanna, King and Queen of Castile, made in 1517. The medium is metal, an engraving. It's fascinating how a small object can represent so much power. What aspects of the historical context should viewers consider when looking at this coin? Curator: Precisely! Consider the political imagery on the coin. It's not just about Charles and Joanna; it's about consolidating power and visually communicating that power to the populace. Think about the role of coinage in early 16th century Spain: How did it function as propaganda? What did it mean for different social classes? What messages are being circulated through it about the legitimacy of their rule? Editor: That's a good point. It's easy to overlook the value of something like a coin in disseminating a particular agenda or perspective. So this wasn't just currency, it was also carefully designed publicity. Were there any common symbols used to reinforce their monarchy at the time? Curator: Absolutely. Symbols like the royal coat of arms, which is prominently displayed on the coin, were powerful visual cues. Each element within that coat of arms carried historical and political weight. We also have to consider how access to these images was controlled. Coins might have been the most widespread form of portraiture, influencing how the monarchs were perceived. Can you think of any other visual systems through which rulers and powerful families conveyed their dominance? Editor: I hadn't thought of it that way. Maybe printed books and royal entries? Understanding how those in power curated their image definitely changes my view on this. Curator: Exactly. So what do you make of the social role of art like this after considering its power dynamic? Editor: This coin, and items like it, are a testament to the politicization of art even in the everyday object, right down to what people carried in their pockets. Curator: Yes, art and power have always been closely entwined.
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