A Miracle 

Editor: This is Thomas Stothard's sketch, "A Miracle," created sometime before 1834. It's a small ink drawing, only about 3x4 inches. The figures are so loosely sketched. What does this drawing say to you? Curator: The rapid, almost frantic lines suggest a mass production context. Stothard likely dashed this off for an engraving. Note the paper itself – cheap, readily available. This wasn't about precious artistry; it was about supplying the print market. Editor: That's interesting! So you're focusing on its purpose as a reproductive sketch, rather than a unique artwork in itself? Curator: Exactly. The miracle isn't just the subject; it's the potential for endless dissemination through print, fueling consumption and shaping popular belief. The hand of the artist is secondary to the means of reproduction. Editor: I see! So it highlights how art functioned within the broader economy of the time. Thanks!