Het leven van den oorlogsmatroos by George Lodewijk Funke

Het leven van den oorlogsmatroos 1865 - 1875

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print, engraving

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narrative-art

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print

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old engraving style

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genre-painting

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history-painting

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engraving

Dimensions: height 345 mm, width 424 mm

Copyright: Rijks Museum: Open Domain

Curator: "Het Leven van den Oorlogsmatroos," or "The Life of the War Sailor," crafted between 1865 and 1875 by George Lodewijk Funke. It's an engraving, presenting various scenes from a sailor's life in a narrative format. Editor: Whew, what a panorama! It looks like a storyboard for a nautical epic, distilled into a single page. All those tiny sailors marching about - a bit ominous, if I'm honest. Curator: The narrative art form often idealizes the sailor's life, but this engraving offers a glimpse into its diverse aspects – from joining as a youth, to exercises, sailing, shore leave, and even scenes suggestive of colonial conflict. Editor: Colonial conflict… you see, I immediately pick up on that tension. The scene of "het bestormen een stelling of Indisch fort"—assaulting what looks like an Indonesian fort—isn’t exactly presented neutrally, is it? It's active, even glorified. Curator: Indeed, it embodies the historical context of Dutch colonial power. We can’t ignore the potential romanticization of military engagement during that era. It becomes crucial to approach it with a critical lens, considering the lived realities and resistance of colonized populations. Editor: The repetition of figures almost numbs you to the reality, right? Makes them seem like toy soldiers on a board game rather than individuals enmeshed in a global power play. Though that single sailor taking his rest at the bottom is oddly captivating. Curator: That's fascinating, it allows the individual narrative to breathe, disrupting the overarching colonial storyline ever so slightly. It may imply that within larger systems of power, moments of individual experience, contemplation, and resistance persist. Editor: Maybe the artist unconsciously sympathizes there, letting fatigue show. For me it opens a brief, melancholy portal into what is was like for one human in that sea of conflict, empire, and endless toil. It almost makes you feel seasick in solidarity. Curator: It’s through this layered dialogue – blending the grand narratives of history with individual lived experiences and contemporary social theory - that we unpack its meanings and resonance today. Editor: Exactly. Turns out a simple old print can contain a whole ocean of unsettling reflections.

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