Maestranza 1598

Editor: This is "Maestranza," a 1598 engraving by Christoph Krieger. The detail is striking, considering it’s just a print. The man depicted has this knowing expression and is standing within a very ornate frame. What does this image evoke for you? Curator: Well, immediately, it brings to mind the social function of printmaking in the late 16th century. Consider that this image would have been widely circulated. The 'Maestranza' likely wasn't meant as a mere portrait, but perhaps as a representation of a social type or a professional class, or as a component of a book depicting trades, costumes or functions. What is your read on his dress? Editor: His clothes do seem particular… he seems very formally dressed, especially considering he also has a sword at his hip. Curator: Precisely. The attire and sword, combined with the frame that positions him as important and representative, suggest someone holding authority. Ask yourself, how might the social and political circumstances of the time impact our interpretation? Is he part of an intellectual class, or even an aspiring, wealthy class? Editor: So, looking at this today, we're seeing more than just a portrait of someone who existed 400 years ago. It is also about what he represents about Renaissance social mobility. I guess you have to consider both artist and audience. I never really thought about it that way before. Curator: Exactly. By understanding the original cultural contexts of image production, we have a new appreciation of how the print may have affected, and reflected, the lives of individuals at that time. I'm delighted you recognize this nuance!