Untitled (Abergeldie, October 1865, portraits of Alexandra of Denmark (1844-1925), Princess of Wales [later Queen Alexandra], and Albert Edward (1841-1910), Prince of Wales [later Edward VII]) c. 1865

Editor: This is an untitled work from 1865 by Mary Filmer, featuring portraits of Alexandra of Denmark and Albert Edward, the Prince of Wales. It's quite decorative! What strikes you most about its composition? Curator: The dual portraits, framed by heraldic symbols and calligraphy, present a fascinating study in visual balance. Notice how Filmer uses color to unify the disparate elements. The blue ribbon anchors the composition, doesn't it? Editor: It does! I also see that the crowns above each portrait add to the sense of formality. Curator: Precisely. The meticulous arrangement suggests a deliberate attempt to elevate the subjects, to imbue them with regal significance through formal devices. What have you learned looking closely at Filmer's approach? Editor: I see now how each element supports the royal theme, even without knowing the historical context. Curator: Yes, and that is the power of formal analysis, revealing the artwork's underlying structure.