Regele Schi Regina,camp Deschis 

Curator: Mihai Olos's work, "Regele Schi Regina, camp Deschis," offers a complex visual experience. There is little information available concerning the artist’s intention. Editor: It's visually striking! A dense, geometric field in bold blue, yellow and orange. The repeated shapes almost pulse, giving it a kinetic feel, wouldn't you say? Curator: Interesting. It makes me think about pattern recognition and its application across artistic movements, notably with weaving in various indigenous groups who often combined artistic vision and mathematical, political messaging, although this seems to lack any overt socio-political symbolism. Editor: But isn't the lack of overt symbolism interesting in itself? The very act of repetition, of building something complex from simple components—it resonates with fundamental aesthetic principles. Notice the slightly irregular border too; it’s like controlled chaos. Curator: Indeed, the use of repeated geometrical forms invites that sort of analytical interpretation. Considering abstraction's rise during the modern period alongside increased mechanization and societal restructuring, the regularity and visual complexity can be seen as a reflection of society itself. Editor: I agree. It mirrors, visually, information architecture in our time. Curator: That's an apt interpretation! But going back to the artist's intent; this work perhaps challenges our expectations, compelling us to reflect on our place within these expanding geometric systems, and even consider where to focus when so much is occurring at once. Editor: It’s interesting how differently we experience the work. For me, it's a visceral experience first—the vibrant colours, the texture created by the pattern. Curator: Well, no matter how you approach it, Olos gives us a fascinating composition and its intriguing, even mysterious. Editor: A fascinating and definitely intense, mesmerizing piece. Thank you for illuminating it for me.