Shaman Transforms 

Editor: Here we have Norval Morrisseau's acrylic painting, "Shaman Transforms." The shapes seem to float against the blue backdrop. The black outlines are eye-catching. What do you see happening in this image? Curator: I see a powerful expression of cultural identity and resistance through art. Morrisseau was a key figure in the Woodland School, and this work exemplifies its blend of traditional Anishinaabe imagery with contemporary artistic approaches. Look at how the vibrant colors and bold outlines make the imagery so striking! Editor: I definitely see the boldness, but what do you mean by "resistance?" Curator: Morrisseau publicly shared stories and imagery previously kept secret within the Anishinaabe community. This act, combined with his artistic innovation, challenged colonial power structures that had suppressed Indigenous cultures. He was re-writing the visual landscape! Editor: So, painting these stories was a political act in itself? Curator: Exactly. It asserted the importance and continued vitality of Indigenous traditions in a modern world often hostile to them. How do you see the “organic” elements mixing with the theme of transformation in the painting? Editor: It's like the shaman's power comes from nature, blending animal and human forms. It suggests a deep connection between the spiritual world and the natural environment. I see those birds now and I feel something like spiritual awakening. Curator: Precisely. And that connection challenges Western views that separate humans from nature, wouldn’t you agree? Morrisseau's art makes visible what colonial forces tried to erase. Editor: I never considered it in that light. Now the image seems like a statement, and an awakening. Thanks for opening my eyes! Curator: It works both ways. Considering Morrisseau’s context has enriched how I look at contemporary indigenous art.