Portret van Marcus Porcius Cato Uticensis minor 1566

Curator: Here at the Rijksmuseum, we have before us a striking engraving, "Portret van Marcus Porcius Cato Uticensis minor," created by René Boyvin in 1566. Editor: The first thing that strikes me is the austerity, that unyielding gaze, like chiseled stone! It evokes a certain stoic, even severe atmosphere. Curator: Indeed! Boyvin masterfully utilizes the engraving process here. Note the controlled, precise lines—the tools required to make those would have taken expertise. Each incision is a deliberate action, contributing to that overall impression you mention. How does this relate to Cato? Editor: Well, Cato was a figure known for his incorruptibility and commitment to principle, willing even to die for the Roman Republic. The laurel wreath, of course, signals victory or honor. More than that, it seems the artist is alluding to wisdom. But I see a face burdened with what is to come. A grim prophesy if you will. Curator: Good observation. Consider the cultural context: Mannerism, and classicism are fighting it out at the time. Boyvin expertly demonstrates an elevated awareness of line, balance and composition and is also making shrewd political statements. Cato, for some, became the face of resistance and moral probity, worthy of imitation. The artist used the material means at his disposal to contribute to the narrative. Editor: Fascinating, the image’s composition seems quite deliberate. The artist creates the impression of virtue, but I cannot shake off the overall gloom of coming sacrifice. In all, it underscores the complicated tapestry of values being upheld during that time. Curator: Yes, an important example, one should also note the commercial nature of the art, the prints where relatively affordable and a good way to educate those from various walks of life. In its social sphere and design Boyvin's print delivers quite a compelling story for us even now. Editor: It certainly prompts further thinking. The somber iconography and symbolic weight combined, and together these layers help to connect with the image on a personal and collective memory, more than anything!